I grew up in Bellmont Heights, one of those old, expensive neighborhoods in Dallas where wealth doesn’t announce itself loudly because it no longer needs to. The houses there don’t scream. They imply. Long driveways. Established trees. Brick or stone facades softened by landscaping that always looks casually perfect. Front doors heavy enough to suggest permanence. Windows so clean they reflect prosperity better than mirrors.
Our house was a colonial-style mansion with a circular driveway, white columns, black shutters, trimmed hedges, and gardens that were always somehow in bloom at exactly the right time of year. From the outside, it looked like what people want to believe about money: stability, order, legacy, refinement. The kind of house where holiday cards are tasteful and all the children go somewhere impressive.
To people who visited, we were the Bellmonts.
Robert and Catherine Bellmont, respected, affluent, connected. My father had inherited real estate holdings and then expanded the family fortune through a highly successful corporate law practice specializing in mergers and acquisitions. My mother belonged to the world in the way only certain wealthy women do—not through visible employment, but through boards, fundraisers, charity galas, lunch committees, and those invisible webs of social influence that determine who matters and who gets invited to what.
My brother Marcus was the firstborn son and future success story. My younger sister Olivia was the beautiful late-arriving baby whose smallest preferences somehow acquired the emotional significance of legislation.
